PLAN AHEAD
Be sure that you have plenty of space and that the noise will
not disturb others. Before
beginning a rhythm activity, think about how and when it will
end before the music turns to noise and the movement
activities turn to chaos. Think ahead and take control so the
activity doesn’t get out of hand.
BASIC RULES FOR PRESENTING
MUSIC
-
Before
you come in, write notes in a bullet format that describe the
sequential moves in the songs that you intend to use.
-
Using
your notes, enthusiastically describe, demonstrate, and practice
the moves with the children, and then participate occasionally.
-
Whenever possible, relate moves to a theme or concept.
- Jungle, farm, weather, ocean, holiday, etc.
-
Move through a short and concise version of the song with the
moves in the proper order.
-
Introduce props after children have become familiar with the
moves, and then practice with the props.
-
If necessary,
review your class rules for safety
-
Be
sure to repeat your songs from session to session, allowing
ample time for children to become familiar. Children can watch
and listen to the same entertainment over and over again, and
familiar songs create a sense of belonging.
WHILE MUSIC IS PLAYING...
·
Test
your songs. If the children are not moving or responding the way
you had expected, revisit your presentation, consider changing
or adding props, or even consider replacing the song with a
different one on the next go round.
·
Look
for children who aren’t participating and try to engage them,
without scaring them away. Sometimes, if you just ignore shy
children, they will eventually step in and participate, but this
could take anywhere from a few minutes to days. Give them a
manipulative and let them explore in their own space.
·
Separate children into large enough groups to avoid their
feeling left out, or having to wait in line for a turn.
·
Discipline disruptive children by having them sit aside until
they are prepared to participate.
EXERCISES IN THE CLASSROOM
1.
Have
children tap, clap or pound to the beat of the music you are
playing.
2.
Play a
real or imaginary instrument in many different ways; loud, soft,
fast, slow, with short and long sound.
3.
Play a song, and encourage simple moves: marching,
walking, skipping, hopping, sliding, galloping, and other moves.
4.
Have the children sing
a song “in the
round” chorus by chorus. "Row, Row, Row Your Boat," for
instance.
5.
Start everyone clapping and have each child take turns
adding a verse to a new song.
6. Play
“Copy Me” While singing different notes.
(hi/low, loud/soft, fast/slow…)
7.
Play “Copy Me” while clapping or tapping
different rhythms on various parts of your body. (hi/low,
loud/soft, fast/slow…)
8.
Identify
the instruments in a song and have children mimic the
instruments they recognize.
9. Compare the sounds different instruments make.
10.
Explore the sounds that two or more instruments played
together make.
11.
Ask the children to close or cover their eyes and
listen. What sounds do they hear? Where are they coming from?
Compare indoor and outdoor sounds, or sounds in different
rooms. Can the children guess what room they are in from the
sounds they hear? Is there more sound coming in one ear than
the other?
12.
Ask the children to cover one ear.
Is it easier or harder to hear? Is the music louder or
softer?
13.
Make up "guess what's making the sound" games
using sounds from odd things in the room, musical instruments,
children's voices, etc.
14.
Experiment with rhythms, using hands, feet, voices,
rhythm sticks, and other instruments. Can the children make a
fast rhythm? A slow one? The rhythm of a horse galloping? A
snail crawling? Play "follow the rhythm." Can they
copy a simple rhythm that you or another child plays? Can
different children play different rhythms at the same time?
Beat out the rhythm of a familiar song.
15.
Separate
the class into groups with each group tackling a different
part of the song.
16.
Form a symphony of sounds with real and unconventional
instruments and give a "concert." Ask different
"groups" to play at different times or in different
rhythms; alternate solos, or trios.
17.
Form
a marching band.
18.
Sound
patterns: Play a song and have the kids tap dots or draw lines
on paper based on what sounds they hear and how it makes them
feel.
19.
Mimic
sound waves
by pouring water in a large glass or bowl and playing music,
or thumping on the table.
20.
Feel
vibration by encouraging a child to sing while touching their
own throat, or touching the ground near speakers, or touching
an instrument, or being barefoot near drums.
How do deaf children hear music?
21.
Varying
music collection between recordings for listening (background
for rest, eating, painting, play…), singing, movement, and
storybook.
- Multi-cultural Music: Latin Lullaby, Esta Es Mi
Tierra
- Different Styles: Opera, Classical Music, Country, Hip
Hop, Rap, Reggae, Guitar or Piano, Cultural
22.
Exploring
cultural and historical connections
(using rhythms from different counties or time periods: jazz,
classical, reggae, blues, rap, Spanish guitar, American Indian
flute) Songs
heard in school, in places of worship, and from teachers and
parents, teach about life and culture. The songs might be
bi-lingual, or the words might teach about hard-to-understand
concepts like faith, patriotism, love, and freedom. Shy
children might feel bolder among other people when they are
loudly singing or dancing, whereas misbehaving children might
be calmed by soft music.
23.
Call
out different parts of the body and have the children move
just those parts. (Swing both arms, then first one arm and then the
other. Try chair dancing by asking children to move just their
upper or lower body.)
24.
Call
out different parts of the body
and have the children move just that. (Swing both arms, then
first one arm and then the other. Try chair dancing by asking
children to move just their upper or lower body.)
25.
Change
the rhythm and tempo
while the children dance. This will help them concentrate on
listening to the sound and dancing with it.
26.
Do pantomime dancing:
lumber like an elephant or slither like a snake; pretend to be
a bouncing ball or a tree in the wind; someone picking up
spilled sticks or carrying heavy packages.
27.
Record
the children's singing,
and let them dance to their own music.
28.
Substitute the child's name
or a familiar location for names in a song: "Old Bill
Thompson Had a Farm."
29.
Make
up a melody (or use a familiar melody) and use it to sing the names of the children. Be
sure to clap out the syllables to the beat.
30.
Offer other variations in song. Sing
loud like a monster or soft like a mouse. Offer other
variations.
31. Play a song or
instrument, and have kids dance and then freeze when the music
stops.
32. Using home-made, real or imaginary
instruments, tell the children that you shall be the conductor. When
you shake your head, they cymbals will clash, when you shake your feet,
the tambourines will shake, when you shake your hands, the drums will
drum, and so on. When you shake your whole body, all everyone plays
their instrument. Allow the children different turns as conductors.
TRANSITIONS
You might buy a kitchen timer, set it for three minutes, and
ask the children to stop playing an instrument or dancing when
they hear the buzzer. You might ask another child to "be
in charge" of the band and give the directions to trade
instruments and begin a new song. Children also respond to
redirection. Interest them in a new activity or a new song.
Play the CD player, or if it's on, turn it off, and begin
singing yourself.
COOL DOWN
If
dancing ends too abruptly, the children's energy is left
scattered like blowing leaves. It's best to wind children down
gradually from quick rhythms to slower ones ("Snake, Rattle
& Roll" or "Sit Down, Turn Around" vs.
"The
Circus Song"); from large moves to small moves ("Move
Like an Animal" vs. "First We’ll Tap Our Toes");
from loud songs to soothing songs ("Wiggle & Giggle" vs.
"Rest Little Youngster"); from gross motor to fine motor
skills ("I’m a Choo, Choo" vs. "You Can Do Silly
Things With Your Head").
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