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“Ballet 201” Terms

(in order of appearance)

© 2000 Russ InVision. All Rights Reserved
Any public performance, unauthorized duplication or commercial exhibition is strictly prohibited and is in violation of applicable laws.

 

Warm-up: Doing exercises that stretch and loosen the muscles to prepare your body for dancing.

Barre: A horizontal wooden hand rail that runs around the wall of a ballet studio.

Alignment: The lining up of parts of your body to make a balanced and graceful line.

Posture: The position and carriage of the body.

Pointe: A position of the foot in which your heel is held up, your big toe is stretched down
 toward  the ground, your leg turned out, and your foot is in line with your leg.

Positions of the feet: Five different positions in which your weight is evenly distributed over
your feet no matter what position you body is in, with your legs turned out from the pelvis.

Port de bras: Carriage of the arms. Set movements of the arms from one position to the other.

PlieŽ: An exercise in which, standing erect and with back straight, you move down and up
with the bend of the knees.

Demi-plieŽ: A half knee-bend. Nearly every step begins and ends with a demi-plieŽ.

Grand plieŽ: A full knee-bend with heels off the floor.

EleveŽ: A movement in which you rise up high on to the balls of your feet. A similar
position is also referred to as ReleveŽ.

CoupeŽ: A position of your foot, lifted and held flexed, tight against your ankle.

Battement: A generic term which describes the various movements in which the leg
makes a beating motion.

Battement tendu: An exercise in which you brush your foot along the floor and end in
a point.

En croix: In the shape of a cross (front, side, back)

DegageŽ: An exercise similar to a tendu that finishes with the foot lifted from the ground
 in a point.

Rond de jambes `a terre: Circle of the leg, on the ground (`a terre). An exercise in
which you mark out a semi-circle on the floor with your pointed foot.

FrappeŽ: A movement in which you strike your foot along the floor and finish with a
 lifted point.

Grand Battement: Meaning large beats. An exercise in which you raise your pointed
foot high off of the ground keeping both legs straight.

Balance: In dance, a term which describes the holding of your body in a stable position.

Centre Practice: a group of exercises similar to those à la barre but performed in the centre of the room without the support of the barre. These exercises are usually performed with alternate feet and are invaluable for obtaining good balance and control.

PasseŽ: A movement that resembles a pass.

Allegro: An Italian musical term meaning quick and lively. In ballet, allegro steps are
completed in fast tempo without your arms flapping about.

Petit Allegro: Small jumping and turning steps.

Glissade: Gliding or sliding steps.  A traveling step in which you glide your foot along
 the floor with your front knee bent and you transfer your weight. During the moment
of transition, your legs are fully stretched.

Demi-pointe: Half point, meaning standing on the balls of your feet.

BoureŽe: A linking step in which you rise up on the balls of your feet (on to your
half point), and the weight is transferred from one foot to the other in three small steps.

Pas de BoureŽe: Rising up on the balls of your feet, a series of tiny boureŽes which
gives the impression of gliding along the floor.

Pas de chat: A traveling step-of-the-cat in which you bring one foot up along your
leg to the knee, and transfer your weight to the other leg with a spring in the air,
 landing with your feet in 5th position.

Arabesque: A position in which you balance on one straight leg (or bent leg)
with the other stretched out behind you.

Changement: To change. A jump (or sauteŽ) in which you take off with one
foot/leg in front, change positions in mid-air, and land with the other foot/leg in front.

EchappeŽ: A movement that resembles an escape.

ChasseŽ: A movement in which you slide your flat foot along and across the floor
from various positions, closing with your feet in 5th position.

TombeŽ: A movement that resembles a fall.

Routine: In dance, a term meaning a sequence of steps.

Marking: Going through the movements of a dance routine without dancing them
fully, in order to familiarize yourself with the steps before performing.

Finale: The concluding part of a performance.

Grand Allegro: A combination of large traveling steps and jumps.

Pas MarcheŽ: The graceful walk to center stage to take a curtsey or bow.

Curtsey: A movement by the female dancer (ballerina) that acknowledges
 the instructor at the end of a class, or an audience at the end of a performance.

Bow: A movement by the male dancer (danseur noble) that acknowledge
 the instructor at the end of a class, or an audience at the end of a performance.

Reverence: A movement, generally made by the sweep of an arm to
acknowledge the rest of the ensemble cast (corps), the instructor, the
choreographer, and/or the orchestra.

 

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